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Portraits

Pier Consagra

Issue 147, Summer 1998

 

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More from Issue 147, Summer 1998

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  • Fiction

    • Scott Anderson

      from Triage

    • Rick Bass

      The Hermit's Story

    • Nicole Cooley

      Escapes

    • Michael Knight

      Tenant

    • Kirk Nesset

      Poet and Philosopher

  • Interview

    • Russell Banks

      The Art of Fiction No. 152

    • Ismail Kadare

      The Art of Fiction No. 153

  • Poetry

    • Michael Berryhill

      Three Poems

    • Carin Besser

      Two Poems

    • Joel Brouwer

      Two Poems

    • Michael Burns

      Joy's Grape

    • Scott Cairns

      Two Poems

    • Henri Cole

      The Color of Feeling and the Feeling of Color

    • Henri Cole

      Apollo

    • Henri Cole

      Charity

    • Henri Cole

      Anagram

    • Lynn Doyle

      Two Poems

    • Sybil Pittman Estess

      Two Poems

    • Andrew Feld

      Three Poems

    • Edwin Gallaher

      Dreams of Ferdinand

    • Eamon Grennan

      Traveler

    • Czeslaw Milosz

      Rivers

    • Andrew Hudgins

      Rain

    • Janet Kaplan

      Three Poems

    • Judy Longley

      First Breakfast at Home Following an Emergency Appendectomy

    • Florence Cassen Mayers

      96 and B'Way

    • Scott Minar

      Toward the Skin

    • Peggy Penn

      Kinshit

    • Susan Pliner

      Six Poems

    • Leslie Richardson

      Three Poems

    • Maureen Seaton

      Two Poems

    • Patty Seyburn

      Sorority

    • Phillip Sterling

      Two Poems

    • Alexander Theroux

      Three Poems

    • Gene Thornton

      Ovid in Exile

    • Sidney Wade

      Another Passionless Day

    • Anneliese Wagner

      The Street

    • Michael White

      Hotel Bar

    • Charles Wright

      Two Poems

  • Feature

    • Stephen Brook

      Como Conversazione: On Travel and Travel Writing

    • Harry Mathews

      Oulipo Sampler

  • Art

    • Pier Consagra

      Portraits

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From left, Galway Kinnell, Robert Hass, Olds, and Brenda Hillman in the Oakley house at the Community of Writers, Olympic Valley, California, 1989. Courtesy of Sharon Olds and the Community of Writers.

Sharon Olds published her first book, Satan Says, in 1980, at the age of thirty-seven. The book is organized into four sections, “Daughter,” “Woman,” “Mother,” and “Journey,” and it begins with its title poem, whose speaker is locked in a box she can open only by repeating after Satan: “Say shit, say death, say fuck the father.” At the time, Olds—who was born in San Francisco, graduated from Stanford, and received a Ph.D. in English from Columbia—was married to a psychiatrist, and she spent her days on Manhattan’s Upper West Side, caring for their two young children. Not long after the book’s publication, she told me last year, someone who had invited her to give a reading picked her up at the airport and said, “I thought you would look angrier.”

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