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Portfolio

Tom Keogh

Issue 1, Spring 1953

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More from Issue 1, Spring 1953

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  • Fiction

    • Antoine Blondin

      Death on the Avenue de Segur

    • Peter Matthiessen

      A Replacement

    • Terry Southern

      The Accident

    • Eugene Walter

      Troubadour

  • Interview

    • E. M. Forster

      The Art of Fiction No. 1

  • Poetry

    • Robert Bly

      Two Choral Stanzas

    • Donald Hall

      Exile

    • George Steiner

      Fish Story

    • George Steiner

      A Samurai Who Tried to Kill All the Roosters in Japan

  • Feature

    • Giacomo Antonini

      A Review of Italian Writing

    • C. Chesnaie

      The Year in French Literature

    • Henry De Montherlant

      The Pantin Cemetery

    • William Styron

      Letter to an Editor

    • John Train

      Paris Commentary

  • Art

    • William Pène du Bois

      Issue No. 1 Cover

    • Tom Keogh

      Portfolio

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“The idea of writing saving you as you’re going through something I don't believe in at all.”

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The Art of Poetry No. 114

By Sharon Olds
 

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From left, Galway Kinnell, Robert Hass, Olds, and Brenda Hillman in the Oakley house at the Community of Writers, Olympic Valley, California, 1989. Courtesy of Sharon Olds and the Community of Writers.

Sharon Olds published her first book, Satan Says, in 1980, at the age of thirty-seven. The book is organized into four sections, “Daughter,” “Woman,” “Mother,” and “Journey,” and it begins with its title poem, whose speaker is locked in a box she can open only by repeating after Satan: “Say shit, say death, say fuck the father.” At the time, Olds—who was born in San Francisco, graduated from Stanford, and received a Ph.D. in English from Columbia—was married to a psychiatrist, and she spent her days on Manhattan’s Upper West Side, caring for their two young children. Not long after the book’s publication, she told me last year, someone who had invited her to give a reading picked her up at the airport and said, “I thought you would look angrier.”

Fiction

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Episode 22: “Form and Formlessness”

, November 2021
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.

Rachel Cusk photo courtesy the author.

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