“. . . The Greeks regarded what we call ‘public’ experience as part of human experience. This is what gives such ground and scope and humanity to Greek poetry at its greatest.”

Archibald MacLeish died just two-and-a-half weeks before May 7, 1982, when he would have celebrated his ninetieth birthday. He had accomplished what Robert Frost once said it was his hope to accomplish: he had written a few poems it will be hard to get rid of.

The Paris Review Eagle, or “the bird” as it was referred to, was designed by William Pène du Bois, the magazine’s art editor, in the spring of 1952. The symbolism is not difficult: an American eagle is carrying a pen: the French association is denoted by the helmet the bird is wearing—actually a Phrygian hat originally given a slave on his freedom in ancient times and which subsequently became the liberty cap or bonnet rouge worn by the French Revolutionists of the 19th Century.