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A Semester with Ginsberg

Elissa Schappell

Issue 135, Summer 1995

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More from Issue 135, Summer 1995

Buy this issue!

  • Fiction

    • Rick DeMarinis

      Experience

    • C. M. Mayo

      Chabela del Rio y de la Fuente Contreras

    • Francine Prose

      A Coincidence at the Vet’s

  • Interview

    • Patrick O’Brian

      The Art of Fiction No. 142

    • Thom Gunn

      The Art of Poetry No. 72

    • P. D. James

      The Art of Fiction No. 141

  • Poetry

    • John Ashbery

      … by an Earthquake

    • Dan Beachy-Quick

      Two Poems

    • Lucie Brock-Broido

      How Can It Be I Am No Longer I

    • Katharine Coles

      Pantoum in which Time Equals Space

    • Dawn Corrigan

      Three Poems

    • Tom Disch

      Two Poems

    • Stephen Dobyns

      Two Poems

    • Thom Gunn

      A Wood Near Athens

    • John Harvey

      Angelus Novus

    • David Jauss

      Lemons

    • Cynthia Kraman

      Two Poems

    • Gwyneth Lewis

      Pentecost

    • William Logan

      Three Poems

    • Richard Lyons

      Two Poems

    • James McManus

      Preludes

    • Sandra McPherson

      Lessons Learned From A Small Drawing By Victor Joseph Gatto, Self-Taught Artist

    • Christopher Middleton

      Two Poems

    • Carl Phillips

      Youth with Satyr, Both Resting

    • Carl Phillips

      On Morals

    • Carl Phillips

      The Swain’s Invitation

    • Adrienne Rich

      Sending Love

    • Daniel Rifenburgh

      Two Poems

    • Peter Sacks

      Halo for Marianne Moore

    • Grace Schulman

      American Solitude

    • Maureen Seaton

      The Sculpture Garden

    • Cathy Stern

      Three Poems

    • Roderick Townley

      Wave

    • Karen Volkman

      Two Poems

    • Charles Harper Webb

      Marilyn's Machine

    • Susan Wheeler

      Four Poems

    • Charles Wright

      Apologia Pro Vita Sua III

  • Feature

    • Bernard Cooper

      The Fine Art of Sighing

    • Daniil Kharms

      Bagatelles

    • Elissa Schappell

      A Semester with Ginsberg

    • Edmund White

      Sketches of Paris

  • Art

    • Judy Glantzman

      Drawings

    • Raffaele

      Issue No. 135 Cover

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From left, Galway Kinnell, Robert Hass, Olds, and Brenda Hillman in the Oakley house at the Community of Writers, Olympic Valley, California, 1989. Courtesy of Sharon Olds and the Community of Writers.

Sharon Olds published her first book, Satan Says, in 1980, at the age of thirty-seven. The book is organized into four sections, “Daughter,” “Woman,” “Mother,” and “Journey,” and it begins with its title poem, whose speaker is locked in a box she can open only by repeating after Satan: “Say shit, say death, say fuck the father.” At the time, Olds—who was born in San Francisco, graduated from Stanford, and received a Ph.D. in English from Columbia—was married to a psychiatrist, and she spent her days on Manhattan’s Upper West Side, caring for their two young children. Not long after the book’s publication, she told me last year, someone who had invited her to give a reading picked her up at the airport and said, “I thought you would look angrier.”

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In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.

Rachel Cusk photo courtesy the author.

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