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Notice

George Plimpton

Issue 116, Fall 1990

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More from Issue 116, Fall 1990

Buy this issue!

  • Fiction

    • Georges Perec

      from A Man Asleep

    • Ian McMillan

      from Orbit of Darkness

    • Bradford Morrow

      A Bestiary

    • Mona Simpson

      I Am Here to Tell You It Can Be Done

  • Interview

    • Maya Angelou

      The Art of Fiction No. 119

    • Mario Vargas Llosa

      The Art of Fiction No. 120

  • Poetry

    • John Ashbery

      Of Linnets and Dull Times

    • John Ashbery

      Korean Soap Opera

    • Attilio Bertolucci

      Three Poems

    • David Bottoms

      Three Poems

    • Catherine Bowman

      Two Poems

    • Michael Burkard

      But Beautiful

    • Paul Celan

      Two Poems

    • Maxine Chernoff

      Two Poems

    • Billy Collins

      Going Out for Cigarettes

    • Martin Edmunds

      Bella Roma

    • Ian Ganassi

      Primary Process

    • Suzanne Gardinier

      Citizens

    • August Kleinzahler

      Rubble

    • Hilda Morley

      The Barter

    • Geoffrey O’Brien

      Haruspex

    • Linda Pastan

      1932

    • James Poolos

      To Sleep

    • Alberto Ríos

      Mr. Luna and History

    • Len Roberts

      More Walnuts, Late October

    • Lucy Sante

      Autobiography

    • D. P. Skrief

      Opened Views

    • Arthur Sze

      Streamers

    • Alexander Thorburn

      The Beach

  • Feature

    • Seymour Lawrence

      Adventures with J. P. Donleavy, or How I Lost My Job and Made My Way to Greater Glory

    • Gertrude Stein

      A Radio Interview

  • Notice

    • George Plimpton

      Notice

  • Art

    • Tim Rollins

      Studies for Amerika: For the People of Bathgate

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By Sharon Olds
 

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From left, Galway Kinnell, Robert Hass, Olds, and Brenda Hillman in the Oakley house at the Community of Writers, Olympic Valley, California, 1989. Courtesy of Sharon Olds and the Community of Writers.

Sharon Olds published her first book, Satan Says, in 1980, at the age of thirty-seven. The book is organized into four sections, “Daughter,” “Woman,” “Mother,” and “Journey,” and it begins with its title poem, whose speaker is locked in a box she can open only by repeating after Satan: “Say shit, say death, say fuck the father.” At the time, Olds—who was born in San Francisco, graduated from Stanford, and received a Ph.D. in English from Columbia—was married to a psychiatrist, and she spent her days on Manhattan’s Upper West Side, caring for their two young children. Not long after the book’s publication, she told me last year, someone who had invited her to give a reading picked her up at the airport and said, “I thought you would look angrier.”

Fiction

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Interview

Aisha Sabatini Sloan

Episode 22: “Form and Formlessness”

, November 2021
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.

Rachel Cusk photo courtesy the author.

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