As we stood by the casket, Momma gasped,
through tears, “Look hard! You must remember her!”
I looked hard, tried to memorize the slight
malicious curl of her thin lips—too red—
and then I studied how her dyed hair puffed,
blond around her pinched blond face. With powder,
the undertaker’s hand was more restrained
than hers had been. And, all in all, I thought
she looked a little better dead—relaxed,
less mean, and more alive. Though not the way
that Momma meant, I’ve done what I was told:
remembered Mary Jean. It’s Momma who’s
becoming smudged and indistinct because
I’ve rubbed that memory featureless with grief.
But if she heard me call her Momma, “Boy,”
she’d snap, “I’m not your momma, I’m your mom.”
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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