I
What if I made you hear this as music
But not how you mean that. The slow beam
Opened me up. Walls walked through me
Like resonant waves. I thought that maybe
If you aren't too busy, we could spend our lives
Parting in stations, promising to write
War and Peace, this time with feeling
As bullets leave their luminous traces across
Wait, I wasn't finished. I was going to say
Breakwaters echo long lines of cloud
α
Renunciation seales. Exhibits shade
Imperceptibly into gift shops. The death of a friend
Opens me up. Suddenly the weather
Is written by Tolstoy, whose hands were giant
Resonant waves. It's hard not to take
When your eye is at the vertex of a cone
Autumn personally. My past becomes
Of lines extending to each leaf
Citable in all its moments: parting, rain
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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